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Browsing by Autor "R. M. Cook"

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    Adolf Greifenhagen: Frühlukanischer Kolonettenkrater mit Darstellung der Herakliden. (123. Winckelmanns-programm.) Pp. 26; 3 plates, 6 figs. Berlin: de Gruyter, 1969. Paper, DM.24.
    (Cambridge University Press, 1971) R. M. Cook
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    Adolf Greifenhagen: Griechische Eroten. Pp. 89; 54 figs. Berlin: de Gruyter, 1957. Cloth, DM. 14.
    (Cambridge University Press, 1958) R. M. Cook
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    Agnes N. Stillwell: Corinth. Vol. XV, Part II: The Potters' Quarter; the Terracottas. Pp. xii+300; 59 plates, 8 figs. Princeton, N.J.: American School of Classical Studies at Athens, 1952. Cloth, $15.
    (Cambridge University Press, 1954) R. M. Cook
    Agnes N. Stillwell: Corinth. Vol. XV, Part II: The Potters' Quarter; the Terracottas. Pp. xii+300; 59 plates, 8 figs. Princeton, N.J.: American School of Classical Studies at Athens, 1952. Cloth, $15. - Volume 4 Issue 3-4
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    Ernst Langlotz: Aphrodite in den Gärten. (Sb. der Heidelberger Akad. der Wiss., Ph.-hist. Kl., 1953–54, 2. Abh.) Pp. 52; 10 plates. Heidelberg: Winter, 1954. Paper, DM. 18.
    (Cambridge University Press, 1955) R. M. Cook
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    Franz Dornseiff: Kleine Schriften, i: <i>Antike und Alter Orient; Interpretationen</i>. Pp. viii + 444; 3 plates. Leipzig: Koehler &amp; Amelang, 1956. Boards, DM. 14.50.
    (Cambridge University Press, 1957) R. M. Cook
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    Fritz Eichler: Corpus Vasorum Antiquorum, Wien, Kunsthistorisches Museum, Band 3. Pp. 48; 50 plates. Wien: Verlag der österreichischen Akademie der Wissenschaften, 1974. Board folder, DM. 75.
    (Cambridge University Press, 1977) R. M. Cook
    Fritz Eichler: Corpus Vasorum Antiquorum, Wien, Kunsthistorisches Museum, Band 3. Pp. 48; 50 plates. Wien: Verlag der österreichischen Akademie der Wissenschaften, 1974. Board folder, DM. 75. - Volume 27 Issue 1
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    H. J. R. Murray: A History of Board-Games other than Chess. Pp. xiv+267; 86 figs. London: Oxford University Press, 1952. Cloth, 42s. net.
    (Cambridge University Press, 1954) R. M. Cook
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    Hellenistic Sculpture - Margarete Bieber: The Sculpture of the Hellenistic Age. Pp. xi+232; 712 figs. New York: Columbia University Press (London: Oxford University Press), 1955. Cloth, 140<i>s</i>. net.
    (Cambridge University Press, 1956) R. M. Cook
    Hellenistic Sculpture - Margarete Bieber: The Sculpture of the Hellenistic Age. Pp. xi+232; 712 figs. New York: Columbia University Press (London: Oxford University Press), 1955. Cloth, 140s. net. - Volume 6 Issue 3-4
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    Karl Lehmann: Samothrace: a Guide to the Excavations and Museum. Pp. 101; 51 figs., folding plan. New York: New York University Press, 1955. Paper, $ 2.50.
    (Cambridge University Press, 1956) R. M. Cook
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    Opuscula ArchaeologicaVI. (Skrifter Utgivna av Svenska Institutet i Rom, XV.) Pp. 271; 97 figs. Lund: Gleerup, 1950. Paper, Kr. 70.
    (Cambridge University Press, 1952) R. M. Cook
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    The Dating of the Aegina Pediments
    (Cambridge University Press, 1974) R. M. Cook
    The sculpture of the East pediment of the Temple of Aphaia on Aegina is usually dated between 490 and 480 B.C. This seems to me too late, to judge by the torsion of the fallen soldier of the left corner and of the stooping youth from the middle of the right side (Plate XVI b-c ). In the youth there is a small turning at the waist and this is managed competently by an organic twist. In the fallen soldier, where the torsion is much greater, the change of direction is made not by a twist but by an abrupt swivel; and though the waist was partly masked by the right arm, generally the sculptors who carved this pediment did not neglect those parts of their figures which could not be seen. From this it should follow that at that time they were acquainted only partially with the revolutionary innovation of organically twisting anatomy. In vase painting the organic twisting of the torso was mastered during the last ten or fifteen years of the sixth century. So too in relief sculpture, notably in the Ball-players relief. In free-standing sculpture symmetrically frontal poses still remained normal, but that does not mean that it was simply retarded; and pedimental figures, though in the round, generally followed the rules for reliefs, anyhow before the Parthenon.
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    The Last of the Battleships - T. J. Dunbabin and others: Perachora ii: Pottery, Ivories, Scarabs and other objects from the votive deposit of Hera Limenia. Pp. xvii+579; 195 plates, 39 figs. Oxford: Clarendon Press, 1962. Cloth, £18. 18s.net.
    (Cambridge University Press, 1963) R. M. Cook
    The Last of the Battleships - T. J. Dunbabin and others: Perachora ii: Pottery, Ivories, Scarabs and other objects from the votive deposit of Hera Limenia. Pp. xvii+579; 195 plates, 39 figs. Oxford: Clarendon Press, 1962. Cloth, £18. 18s.net. - Volume 13 Issue 1
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    Tomris Bakir: Der Kolonnettenkrater in Korinth und Attika zwiscben 625 und 550 v. Chr. (Beiträge zur Archäologie 7.) Pp. 81; 16 plates. Würzburg: Konrad Triltsch Verlag, 1974. Paper.
    (Cambridge University Press, 1977) R. M. Cook
    Tomris Bakir: Der Kolonnettenkrater in Korinth und Attika zwiscben 625 und 550 v. Chr. (Beiträge zur Archäologie 7.) Pp. 81; 16 plates. Würzburg: Konrad Triltsch Verlag, 1974. Paper. - Volume 27 Issue 1

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