The Contributions of Hip-Hop Artists to Non-Formal Intercultural Education in Bolivia

dc.contributor.authorVíctor E. Llanque Zonta
dc.contributor.authorVerónica Stella Tejerina Vargas
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T20:19:50Z
dc.date.available2026-03-22T20:19:50Z
dc.date.issued2016
dc.descriptionCitaciones: 1
dc.description.abstractBolivian educators and education policy-makers are making significant efforts to implement intercultural and bilingual education as a pedagogical model. They are generating new curricular materials in Indigenous languages, teaching Indigenous languages to children and adults, and promoting their use in public spaces. This chapter draws attention to the contribution of Indigenous hip-hop artists to non-formal intercultural and bilingual education. Through their music, videos, and concerts, these artists have not only lifted the status of Indigenous languages as a means of expression for Indigenous youth, but have also created spaces for intercultural dialogue and challenged colonial identity categories and ways of knowing. Their cultural practice can serve to inspire educators to find ways to empower Indigenous youth to develop their critical voice and become active citizens.
dc.identifier.doi10.1057/978-1-137-59532-4_5
dc.identifier.urihttps://doi.org/10.1057/978-1-137-59532-4_5
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/81355
dc.language.isoen
dc.publisherPalgrave Macmillan
dc.relation.ispartofPalgrave Macmillan US eBooks
dc.sourceColumbia University
dc.subjectIndigenous
dc.subjectPedagogy
dc.subjectBilingual education
dc.subjectIdentity (music)
dc.subjectColonialism
dc.subjectSociology
dc.subjectIndigenous education
dc.subjectPolitical science
dc.titleThe Contributions of Hip-Hop Artists to Non-Formal Intercultural Education in Bolivia
dc.typebook-chapter

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