Tornasol Techniques as Cultural Memory

dc.contributor.authorDenise Y. Arnold
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T20:37:05Z
dc.date.available2026-03-22T20:37:05Z
dc.date.issued2023
dc.description.abstract<p class="first" id="d7020865e113">This chapter challenges traditional interpretations of the shimmering effects of Andean colonial cloth that are widely considered to result from the introduction of Asian silks to the New World. Instead, such techniques illustrate a much longer-term regional strategy concerned with cultural continuity, subjectivity, and memory, through the material replication of ancestral knowledge. Early modern shimmering Andean textiles, this chapter argues, materialised indigenous cultural memory, persistence, and resistance, and the making of indigenous communal identities in a changing world. The colonial setting opened up a liminal space in which the material articulation of these pre-colonial cultural continuities became a crucial element of identification, memory, and identity.
dc.identifier.doi10.5117/9789463729086_ch10
dc.identifier.urihttps://doi.org/10.5117/9789463729086_ch10
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/83064
dc.language.isoen
dc.sourceInstituto de Lengua y Cultura Aymara
dc.subjectColonialism
dc.subjectLiminality
dc.subjectIndigenous
dc.subjectArticulation (sociology)
dc.subjectSubjectivity
dc.subjectCultural memory
dc.subjectAesthetics
dc.subjectIdentity (music)
dc.subjectHistory
dc.subjectResistance (ecology)
dc.titleTornasol Techniques as Cultural Memory
dc.typebook-chapter

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