Emeline Jeanne JouveChristilla VasserotPauline BouchetAlexandra Moreira da Silva2026-03-222026-03-22202310.4000/ideas.15299https://doi.org/10.4000/ideas.15299https://andeanlibrary.org/handle/123456789/73087In the 2000s, a renewal of dramatic writing and stage practices emerged in the Americas. In the wake of the experimentations of the 1960s, these plural, hybrid theatrical forms, created for and from the stage, either disregard categorization or crossbreed different genres, and have us rethink the text/stage relationship within an artistic territory which, vast and intricate as it is, permanently confronts fiction with reality, the past with the present, the individual with the community, the ...enPoliticsPolitical scienceArtMedia studiesarticle