Gori Tumi Echevarría LópezEnrique Alba2026-03-222026-03-22201210.70748/ba.13-14.2012.234https://doi.org/10.70748/ba.13-14.2012.234https://andeanlibrary.org/handle/123456789/59234Citaciones: 1The present article delineates the partial history of the rock painting known as “Quebrada Palo Pictography” (1962-1963 UNMSM), a painting that has been used as a main referent of this kind of rock art manifestation in Peru and that also has served as a comparative parameter in the analysis and study of this type of archaeological material.enRock artPaintingReferentArchaeologyGeologyArtImage and rock art research, a Peruvian casearticle