Marisa Vadillo-Rodríguez2026-03-222026-03-22201310.5209/rev_aris.2013.v25.n3.39131https://doi.org/10.5209/rev_aris.2013.v25.n3.39131https://andeanlibrary.org/handle/123456789/52380Citaciones: 3This text approaches the fascinating experience of the women who studied in the famous school of the Bauhaus (1919-1933). It centres on the feminine group that was formed there in architecture and that they would turn with posteriority into professionals of prestige into this area. After a description of the general situation of these studies in the Germany of period between the wars -period that coincides with the existence of the Republic of Weimar and the Bauhaus- approaches the curious politics of kind that practised the famous artistic center with regard to his pupils. A few students that were, initially, the half of his student body. The article develops the case of three figures of recognized international prestige that were formed in that institution: Lotte Stam-Beese, Annemarie Mauck and Wera Meyer-Waldeck. Original that remain inventoried in the Bauhaus-Archiv Museum für Gestaltung in Berlin (BHA).esPrestigePeriod (music)InstitutionArt historyPoliticsArchitectureArtWeimar RepublicHumanitiesSociologyarticle