La concepción del espacio arquitectónico del renacimiento al barroco

dc.contributor.authorNorelsy Lima
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T18:34:03Z
dc.date.available2026-03-22T18:34:03Z
dc.date.issued2020
dc.description.abstractIn the present monographic research we intend to analyze what are the changes that arose in the architecture from the Renaissance to the Baroque in Rome. For this we will approach from a historiographical perspective the Templete of San Pietro in Montorio (h. 1506), designed by Bramante; the Church of San Andres de Quirinal (1658-1670), designed by Bernini; and the Church of San Carlos de las Cuatro Fuentes (1638-1641), designed by Borromini. We will make a comparison between the Representational Architecture typical of the Renaissance and the proposals of Bernini (Composition Architecture) and Borromini (Determination Architecture).
dc.identifier.urihttp://erevistas.saber.ula.ve/index.php/bordes/article/download/16071/21921927203
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/70877
dc.language.isoes
dc.relation.ispartofBordes: Revista de Estudios Culturales
dc.sourceUniversidad de Los Andes
dc.subjectBaroque
dc.subjectThe Renaissance
dc.subjectArchitecture
dc.subjectArt
dc.subjectHistoriography
dc.subjectHumanities
dc.subjectPerspective (graphical)
dc.subjectArt history
dc.subjectClassics
dc.titleLa concepción del espacio arquitectónico del renacimiento al barroco
dc.typearticle

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