La escena artística en Quito a inicios del siglo XX. Exposiciones, prensa y público

dc.contributor.authorTrinidad Pérez Arias
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-24T14:57:36Z
dc.date.available2026-03-24T14:57:36Z
dc.date.issued2018
dc.description.abstractThis text explores the role that art shows, the press, and the public played in organizing a modern art system and as the driving forces behind the art scene in Quito between 1904 and 1918. First of all, it examines the role played by the Fine Arts School in expanding art production, following its reestablishment in 1904. Then it considers the relationship between the visual arts, the public stage, and the establishment of a liberal State and its plan to build a modern society. Finally, it identifies the tensions sustained by this cultural process when new stakeholders arrived on the scene around 1918.
dc.identifier.doi10.29078/rp.v0i48.714
dc.identifier.urihttps://doi.org/10.29078/rp.v0i48.714
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/100383
dc.language.isoes
dc.relation.ispartofProcesos Revista ecuatoriana de historia
dc.sourceUniversidad Andina Simón Bolívar
dc.subjectThe arts
dc.subjectHumanities
dc.subjectState (computer science)
dc.subjectPlan (archaeology)
dc.subjectArt
dc.subjectPolitical science
dc.subjectArt history
dc.subjectVisual arts
dc.subjectHistory
dc.subjectArchaeology
dc.titleLa escena artística en Quito a inicios del siglo XX. Exposiciones, prensa y público
dc.typearticle

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