Cinco adaptaciones para Søren
Abstract
La carrera de Diseño Gráfico de la Universidad Católica Boliviana elaboró el cartel publicitario de la película Søren, del director Juan Carlos Valdivia. En este texto se comenta el proceso de trabajo llevado a cabo para cumplir este encargo, apelando al concepto de adaptación, proveniente de la relación entre texto literario y cine, pero en este caso aplicado a la relación entre el filme y el cartel publicitario. En la segunda parte se detalla el proceso de trabajo llevado a cabo por el equipo profesional de la carrera, consistente en cinco propuestas de afiche, todas trabajadas a partir de la idea de que el cartel debe usar un concepto de la película y desarrollarlo desde una solución gráfica que sea pertinente, potente y seductora.
The Graphic Design Department of Universidad Católica Boliviana produced the billboard for the film Søren, by director Juan Carlos Valdivia. This text deals with the work process carried out to produce the work entrusted, resorting to the concept of adaptation of the relationship which exists between literary texts and cinema, but in this instance applying the relationship between films and billboards. The second part describes the work process done by the professional team of the department, which resulted in five billboard proposals, all of them based on the notion that the billboard was to employ a particular concept of the film developed through a graphic solution that was to be relevant, powerful and alluring.
The Graphic Design Department of Universidad Católica Boliviana produced the billboard for the film Søren, by director Juan Carlos Valdivia. This text deals with the work process carried out to produce the work entrusted, resorting to the concept of adaptation of the relationship which exists between literary texts and cinema, but in this instance applying the relationship between films and billboards. The second part describes the work process done by the professional team of the department, which resulted in five billboard proposals, all of them based on the notion that the billboard was to employ a particular concept of the film developed through a graphic solution that was to be relevant, powerful and alluring.
Description
Vol. 22, No. 41