Visions of Aztlán: The Chicano Documentary Film

dc.contributor.authorDavid R. Maciel
dc.contributor.authorDavid R. Maciel
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T18:15:46Z
dc.date.available2026-03-22T18:15:46Z
dc.date.issued2020
dc.description.abstractIn the decade of the 1960s and 1970s, a trascendental social movement –which was known as the Chicano Movement for Civil Rights– took place in the United States. One of its major achievements was a cultural flowering that encompassed all the art forms and practices. Among them, one of single importance is the documentary film. This article presents an overview of the origins, first steps and current developments of the Chicana/o documentary cinema. Such films address a multitude of topics and combine highly artistic value with a definite political message. In addition, the Chicana/o documentary is an outstanding and highly informative mirror into Chicano experience. Since its inception to the present, over 100 documentaries have been produced and exhibited in the US, yet they have not been well-distributed in the Spanish-speaking world.
dc.identifier.doi10.25145/j.recaesin.2020.81.08
dc.identifier.urihttps://doi.org/10.25145/j.recaesin.2020.81.08
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/69072
dc.language.isoen
dc.publisherUniversity of La Laguna
dc.relation.ispartofRevista Canaria de Estudios Ingleses
dc.sourceCentro de Investigación y Docencia Económicas
dc.subjectVision
dc.subjectMultitude
dc.subjectMovie theater
dc.subjectPolitics
dc.subjectValue (mathematics)
dc.subjectMovement (music)
dc.subjectMedia studies
dc.subjectDocumentary film
dc.subjectSociology
dc.subjectAesthetics
dc.titleVisions of Aztlán: The Chicano Documentary Film
dc.typearticle

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