Music on the move: understanding music as otherwise knowledge in early childhood

dc.contributor.authorAlejandra Pacheco‐Costa
dc.contributor.authorJosé J. Roa-Trejo
dc.contributor.authorFernando Guzmán‐Simón
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T19:35:00Z
dc.date.available2026-03-22T19:35:00Z
dc.date.issued2025
dc.description.abstractAbstract Posthuman understanding of music and bodies as matter highlights otherwise forms of musical embodied learning. In this paper, we focus on an early childhood classroom music event and think diffractively with cognitive and posthuman theories in order to extend our insight into it. Accordingly, we explore cognitive approaches to music and movement, as well as posthuman concepts such as agency, embodiment, affect and desire, (de)territorialisations and assemblages. As music educators, we acknowledge the relationship between music and movement in early childhood, but our posthuman reading of the event enables a more equitable understanding of children’s music learning.
dc.identifier.doi10.1017/s026505172500004x
dc.identifier.urihttps://doi.org/10.1017/s026505172500004x
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/76903
dc.language.isoen
dc.publisherCambridge University Press
dc.relation.ispartofBritish Journal of Music Education
dc.sourceUniversidad de Sevilla
dc.subjectMusic education
dc.subjectEarly childhood
dc.subjectVisual arts
dc.subjectPsychology
dc.subjectArt
dc.subjectSociology
dc.titleMusic on the move: understanding music as otherwise knowledge in early childhood
dc.typearticle

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