Tiranicidios de papel: Teatro y oposición al trujillato

dc.contributor.authorEmilio J. Gallardo-Saborido
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T16:09:15Z
dc.date.available2026-03-22T16:09:15Z
dc.date.issued2007
dc.descriptionCitaciones: 1
dc.description.abstractThis essay studies how some specific authors supported the movement building against Trujillo's dictatorship (1930-1961) in the Dominican Republic in his last years. To do so, the plays Espigas maduras by Franklin Domínguez and Creonte by Marcio Veloz Maggiolo are thoroughly examined. Moreover, Héctor Incháustegui Cabral's contribution to the topic is also analyzed. The unbearable power of the dictator and his opposition against freedom forces are subtly suggested in these works. The playwrights joined the alternative voices who called for a rebellion by using different dramatic tools.
dc.identifier.doi10.1353/ltr.2007.0042
dc.identifier.urihttps://doi.org/10.1353/ltr.2007.0042
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/56555
dc.language.isoen
dc.publisherDepartment of Spanish and Portuguese, University of Kansas
dc.relation.ispartofLatin American theatre review
dc.sourceUniversidad de Los Andes
dc.subjectDictatorship
dc.subjectDictator
dc.subjectOpposition (politics)
dc.subjectHumanities
dc.subjectArt
dc.subjectPower (physics)
dc.subjectPerformance art
dc.subjectArt history
dc.titleTiranicidios de papel: Teatro y oposición al trujillato
dc.typearticle

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