Acontecimientos escénicos efímeros en búsqueda de su semiótica

Abstract

The following approach is not derived from a measurement and division of the stage, but it is created from the own social event of this space. We are in pursuit of a semiotic (or semiotics) that can organize an experience of both actor and spectator in an unstructured sequence of the speech, rhythms, verbal exchanges, relations between the image and the word, sequence elements of stage enunciation. What Patrice Pavis referred to as a semiotics of time and affection. We believe that this position is necessary and appropriate for the characteristics of the stage acts that we have observed and that drive these reflections. The notion of a temporary and unique event is what moves us to care as theater makers, the fact that this is not just placed in that time and space where the actor-creator proclaims, but that it actually generates echoes that impress the viewer beyond the event provided.