Image and rock art research, a Peruvian case
| dc.contributor.author | Gori Tumi Echevarría López | |
| dc.contributor.author | Enrique Alba | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T16:36:24Z | |
| dc.date.available | 2026-03-22T16:36:24Z | |
| dc.date.issued | 2012 | |
| dc.description | Citaciones: 1 | |
| dc.description.abstract | The present article delineates the partial history of the rock painting known as “Quebrada Palo Pictography” (1962-1963 UNMSM), a painting that has been used as a main referent of this kind of rock art manifestation in Peru and that also has served as a comparative parameter in the analysis and study of this type of archaeological material. | |
| dc.identifier.doi | 10.70748/ba.13-14.2012.234 | |
| dc.identifier.uri | https://doi.org/10.70748/ba.13-14.2012.234 | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/59234 | |
| dc.language.iso | en | |
| dc.relation.ispartof | Boletín APAR. | |
| dc.source | National Museum of Archaeology | |
| dc.subject | Rock art | |
| dc.subject | Painting | |
| dc.subject | Referent | |
| dc.subject | Archaeology | |
| dc.subject | Geology | |
| dc.subject | Art | |
| dc.title | Image and rock art research, a Peruvian case | |
| dc.type | article |