Idas y vueltas de la trascendencia en la Modernidad
| dc.contributor.author | Mariano Fazio | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T15:53:05Z | |
| dc.date.available | 2026-03-22T15:53:05Z | |
| dc.date.issued | 2006 | |
| dc.description | Citaciones: 2 | |
| dc.description.abstract | For many years scholars have tended to divide the history of western thought into a deeply Christian Middle Ages and, by opposition, a singulary secularized Modrnity. Although Modernity tended to close itself to transcendence, at the same time it exhibited the need for a vision which did not end in a merely earhly existence. A reflection of this conception are the so-called secularized eschatologies or absolutizations of the relative. There was also an open Modernity, which "faced" transcendence; it is this current of thought which inspires an immanent transcendece, an unfailing guide and presenter of the hope required to negotiate the desert spaces suggested by the culture of contemporaneity. | |
| dc.identifier.uri | http://revistas.um.edu.uy/index.php/revistahumanidades/article/view/109 | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/54979 | |
| dc.language.iso | es | |
| dc.publisher | LA Referencia | |
| dc.relation.ispartof | LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas) | |
| dc.source | Universidad Privada de Santa Cruz de la Sierra | |
| dc.subject | Modernity | |
| dc.subject | Humanities | |
| dc.subject | Secularization | |
| dc.subject | Transcendence (philosophy) | |
| dc.subject | Philosophy | |
| dc.subject | Art | |
| dc.subject | Art history | |
| dc.title | Idas y vueltas de la trascendencia en la Modernidad | |
| dc.type | article |