Museo a todo pedal: Calle 26

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dc.contributor.authorCatalina Delgado
dc.contributor.authorCamilo Torres
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T17:16:31Z
dc.date.available2026-03-22T17:16:31Z
dc.date.issued2015
dc.description.abstractThis paper reviews the urban project “MUSEO A TODO PEDAL: CALLE 26” held to promote awareness and critical appropriation of the sculptural heritage of Avenida El Dorado in Bogota, Colombia. The urban project began in October 2014 with a series of activities including the official launch of the Guide on Monuments and Sites and the organization of a watching cycling road race. RevistArquis is honored to publish this project in dialogue with the essay by the same author published in Vol. 1 (2015) Number 07 “Usos Cotidianos y Populares de la Bicicleta en Bogotá”.
dc.identifier.urihttps://revistas.ucr.ac.cr/index.php/revistarquis/article/view/22263
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/63205
dc.language.isoes
dc.relation.ispartofAmericanae (AECID Library)
dc.sourceUniversidad de Los Andes
dc.subjectAppropriation
dc.subjectArt
dc.subjectLibrary science
dc.subjectHistory
dc.subjectVisual arts
dc.subjectHumanities
dc.titleMuseo a todo pedal: Calle 26
dc.typearticle

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