As relações entre "náufrago" e "lost": As similarídades na línguagem de cinema e televísão
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Percebe-se atualmente que as linguagens cinematográficas e televisivas estão tornando-se cada vez mais parecidas e as grandes produções que eram características do cinema, já tomam conta de alguns programas televisivos. Com o advento da TV digital esta unificação pode ficar ainda mais próxima devido à melhora na qualidade nas exibições das produções televisivas. O objetivo deste estudo é fazer um comparativo entre as linguagens representadas pelo filme "Náufrago" e pelo seriado "Lost", seus pontos convergentes no que se refere à composição de roteiro, montagem e ângulos de filmagens. Como reporte teórico desta análise, utilizou-se como linha norteadora as ideias dos pesquisadores e autores Jacques Aumont, Krintin Thompson e David Bordwell, que estudam as linguagens fílmicas e televisivas e suas evoluções no decorrer das décadas.
It is noticeable that film and televisión languages are becoming increasingly similar and that major productions that once were typical of films, now can be seen in some televisión programs. With the advent of digital TV the similarities will be even greater due to improvements in quality in televisión productions. The objective of this study is to compare the movie "Cast Away" and TV series "Lost", how they look alike regarding their script, montage, and camera angles. The basis of this theoretical analysis are the ideas of such authors as Jacques Aumont, Krintin Thompson and David Bordwell, who study the televisión and film languages and their evolution over the decades.
It is noticeable that film and televisión languages are becoming increasingly similar and that major productions that once were typical of films, now can be seen in some televisión programs. With the advent of digital TV the similarities will be even greater due to improvements in quality in televisión productions. The objective of this study is to compare the movie "Cast Away" and TV series "Lost", how they look alike regarding their script, montage, and camera angles. The basis of this theoretical analysis are the ideas of such authors as Jacques Aumont, Krintin Thompson and David Bordwell, who study the televisión and film languages and their evolution over the decades.
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Vol. 15, No. 20