De la estetización de la política a la comunidad desobrada
| dc.contributor.author | María del Rosario Acosta | |
| dc.contributor.author | Laura Quintana | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T14:49:19Z | |
| dc.date.available | 2026-03-22T14:49:19Z | |
| dc.date.issued | 2010 | |
| dc.description | Citaciones: 11 | |
| dc.description.abstract | This article shows that the notion of an “aesthetization of politics” entails much more than the mere translation of aesthetic criteria into politics. The task of thinking about a non-aesthetiziced political realm, therefore, demands even more radical readings than those suggested, for instance, by the proposal of the “politicization of art.” Following Nancy, Lacoue-Labarthe and Esposito, we argue that an aesthetiziced notion of politics seeks to turn the political into a work of art. This idea has predominated through the western tradition since it is precisely in this context that community is understood as a “work” to be produced, as an activity proper to subjectivity (either individual or collective) that involves the “production” of its own essence. The article concludes that the urgent interruption of aesthetiziced politics demands a renewed consideration of our being-in-common, which takes into account the possibility of a radical alterity and our openness to finitude. | |
| dc.identifier.doi | 10.7440/res35.2010.05 | |
| dc.identifier.uri | https://doi.org/10.7440/res35.2010.05 | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/48745 | |
| dc.language.iso | en | |
| dc.publisher | Universidad de Los Andes | |
| dc.relation.ispartof | Revista de Estudios Sociales | |
| dc.source | Universidad de Los Andes | |
| dc.subject | Humanities | |
| dc.subject | Philosophy | |
| dc.title | De la estetización de la política a la comunidad desobrada | |
| dc.type | article |