La producción intelectual y artística de la mujer en las revistas Plástica y Revista del Arte y la Arquitectura en América Latina

dc.contributor.authorJuliana Rozo
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T17:45:19Z
dc.date.available2026-03-22T17:45:19Z
dc.date.issued2017
dc.description.abstractThe article seeks to examine the active role played by women in the art circuit, as writers and as artists, in light of the journals Plástica and Revista del arte y la arquitectura en América Latina. The analysis focuses on articles that deal with several exhibitions, both solo and group shows, involving women artists in the 1970s and 1980s. One may note that although women were increasingly involved as participants in the field, working as artists, as managers and as writers, in the case of women artists certain guidelines favored only some figures. The question remains open as to which conditions prevail over the discourse of women in Colombian art, by virtue of which the latter is neither diverse nor wide. That is, there is no place in such discourse for a heterogeneous variety of artists since, to the contrary, it highlights and praises only certain women, thus rendering invisible many women who played an active role in the field of art.
dc.identifier.doi10.25025/hart00.2017.06
dc.identifier.urihttps://doi.org/10.25025/hart00.2017.06
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/66049
dc.language.isoen
dc.publisherUniversidad de Los Andes
dc.relation.ispartofH-ART Revista de historia teoría y crítica de arte
dc.sourceUniversidad de Los Andes
dc.subjectExhibition
dc.subjectArt
dc.subjectArt world
dc.subjectHumanities
dc.subjectContemporary art
dc.subjectVisual arts
dc.subjectArt history
dc.subjectSociology
dc.titleLa producción intelectual y artística de la mujer en las revistas Plástica y Revista del Arte y la Arquitectura en América Latina
dc.typearticle

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