Case study of French and Spanish fan reception of "Game of Thrones"
| dc.contributor.author | Mélanie Bourdaa | |
| dc.contributor.author | Javier Lozano Delmar | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T14:48:27Z | |
| dc.date.available | 2026-03-22T14:48:27Z | |
| dc.date.issued | 2015 | |
| dc.description | Citaciones: 12 | |
| dc.description.abstract | The reception of the American TV show Game of Thrones (2011–) by French and Spanish fans and nonfans is addressed via a qualitative methodology, the goal of which is to understand how European viewers perceive themselves as fans and what it means for them to be fans. Analysis of characteristics of a specifically European reception helps us learn what fan studies tell us about fans and what fans really think about fandoms. | |
| dc.identifier.doi | 10.3983/twc.2015.0608 | |
| dc.identifier.uri | https://doi.org/10.3983/twc.2015.0608 | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/48659 | |
| dc.language.iso | en | |
| dc.publisher | Organization for Transformative Works | |
| dc.relation.ispartof | Transformative Works and Cultures | |
| dc.source | Universidad Loyola Andalucía | |
| dc.subject | Fandom | |
| dc.subject | Advertising | |
| dc.subject | Reception theory | |
| dc.subject | Media studies | |
| dc.subject | Art | |
| dc.title | Case study of French and Spanish fan reception of "Game of Thrones" | |
| dc.type | article |