¡Para verte mejor América Latina!: Imágenes dicotómicas de la ciudad a través de la fotografia contemporánea

dc.contributor.authorBrenda Úrsula Iglesias Sánchez
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T17:06:10Z
dc.date.available2026-03-22T17:06:10Z
dc.date.issued2012
dc.description.abstractIn actual times and due to our complex visual culture it seems almost impossible to build a speech that allows piecing a social story through the image. Nevertheless, this reflection has been a constant in the main voices that write about social studies: John Berger, Armando Silva, Roland Barthes, Adrian Gorelik, Nestor Garcia Canclini, Demetrio Brisset, Boris Kossoy, Justo Villafane, Gisel Freund, and Susan Sontag among others. This article mentions some theoretical speeches of the before named voices, the importance of image as an historical document its affirmed, and an analysis of some contemporary artists and their photographic work is developed so it can be examined the dichotomical image in urban Latin-American culture: The ideal/positive city and the real/negative city.
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/62182
dc.language.isoes
dc.sourceUniversidad de Los Andes
dc.subjectGarcia
dc.subjectLatin Americans
dc.subjectArt
dc.subjectHumanities
dc.subjectIdeal (ethics)
dc.subjectArt history
dc.subjectSociology
dc.title¡Para verte mejor América Latina!: Imágenes dicotómicas de la ciudad a través de la fotografia contemporánea
dc.typearticle

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