: <i>Heaven, Hell, and Everything in Between: Murals of the Colonial Andes</i>

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dc.contributor.authorPatricia Zalamea
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T17:56:45Z
dc.date.available2026-03-22T17:56:45Z
dc.date.issued2018
dc.description.abstractAn abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
dc.identifier.doi10.1086/702065
dc.identifier.urihttps://doi.org/10.1086/702065
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/67187
dc.language.isoen
dc.publisherCambridge University Press
dc.relation.ispartofRenaissance Quarterly
dc.sourceUniversidad de Los Andes
dc.subjectHeaven
dc.subjectContent (measure theory)
dc.subjectArt history
dc.subjectArt
dc.subjectColonialism
dc.subjectTheology
dc.subjectHistory
dc.title: <i>Heaven, Hell, and Everything in Between: Murals of the Colonial Andes</i>
dc.typearticle

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