La ornamentación del cuerpo como máscaras del sujeto

Abstract

Recognizing the significance of the subject’s needs is not easy and one of the incidental body representations for the subject to self-recognize and be interpreted by others, is the ornamentation of the body or makeup (mask and disguise), as it would be a form Of emitting important messages to the others, in addition it can become personal mark. This decorated as a body-writing has different performances in communication, part of the sign complex and enunciative symbolic expression, ie a recreation of a space-time relationship with the universe, as they tell a story or reflect situational pictures, as if it were Of indelible memories. In addition they are subjective manifestations that have the close communion with emotion and it goes beyond the simple antropo-social-cultural conjugation. In fact, in instances related to the collective, the body becomes a semantized atmosphere, in an edifying cosmos of signs, codes, meanings and senses, which will intervene in a symbiosis with the world as context and articulated with the series of potentialities To construct meanings; Offers us infinite possibilities of interpretations opening a compass for the resignifications in the quotidian, for which we involve the ontosemiotic or semiotic of the affectivity-subjectivity like method, because in her the subject is a text that can be read and owns a Sensitive architecture. From this perspective a gap is opened whereby the ontosemiotic leaves the subject as a discourse.