Music, common good of knowledge: between rite-language and appropriation of capital

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dc.contributor.authorDiego Alejandro Morales Oñate
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-24T14:57:32Z
dc.date.available2026-03-24T14:57:32Z
dc.date.issued2018
dc.description.abstractThis work aims to portray music as a common good of knowledge, through a holistic qualitative methodology. This is possible to demonstrate, based on the fact that music was born as a rite-story, it is represented as an artistic expression, it intervenes in the economic market, but its nature makes it an inappropriate good, in spite of copyright laws and dynamics of the economic market, there are open spaces of its creation than it is impossible to consider it as a whole merchandise.
dc.identifier.doi10.26668/2448-3931_conpedilawreview/2018.v4i2.4630
dc.identifier.urihttps://doi.org/10.26668/2448-3931_conpedilawreview/2018.v4i2.4630
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/100377
dc.language.isoen
dc.relation.ispartofConpedi Law Review
dc.sourceUniversidad Andina Simón Bolívar
dc.subjectAppropriation
dc.subjectRite
dc.subjectWork (physics)
dc.subjectCapital (architecture)
dc.subjectExpression (computer science)
dc.subjectRite of passage
dc.subjectSociology
dc.subjectAesthetics
dc.subjectLaw and economics
dc.subjectBusiness
dc.subjectEconomics
dc.subjectEpistemology
dc.subjectLaw
dc.subjectComputer science
dc.subjectPhilosophy
dc.subjectPolitical science
dc.subjectArt
dc.subjectVisual arts
dc.subjectEngineering
dc.titleMusic, common good of knowledge: between rite-language and appropriation of capital
dc.typearticle

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