The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and Counterculture <i>Tanya Harrod</i>

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dc.contributor.authorDamian Skinner
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T17:10:59Z
dc.date.available2026-03-22T17:10:59Z
dc.date.issued2013
dc.identifier.doi10.2752/174967813x13806265667013
dc.identifier.urihttps://doi.org/10.2752/174967813x13806265667013
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/62657
dc.language.isoen
dc.publisherTaylor & Francis
dc.relation.ispartofThe Journal of Modern Craft
dc.sourceNational Museum of Archaeology
dc.subjectCounterculture
dc.subjectColonialism
dc.subjectArt
dc.subjectArt history
dc.titleThe Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and Counterculture <i>Tanya Harrod</i>
dc.typearticle

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