From Irish Philosophy to Irish Theatre: The Blind (Wo)Man Made to See

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dc.contributor.authorEinat Adar
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T15:19:47Z
dc.date.available2026-03-22T15:19:47Z
dc.date.issued2017
dc.descriptionCitaciones: 2
dc.description.abstractWriting about the experience of people with visual impairment, Rod Michalko points out that “Far from being a sheer individual and thus personal experience, blindness is a social one. It is an experience that ‘comes to us’ – to blind and sighted people alike – always-already framed by and wrapped in the ‘one size fits
dc.identifier.doi10.24162/ei2017-6750
dc.identifier.urihttps://doi.org/10.24162/ei2017-6750
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/51734
dc.language.isoen
dc.publisherSpanish Association for Irish Studies
dc.relation.ispartofEstudios Irlandeses
dc.sourcePro Persona
dc.subjectIrish
dc.subjectNarrative
dc.subjectBlindness
dc.subjectLiterature
dc.subjectSight
dc.subjectArt
dc.subjectHistory
dc.subjectPhilosophy
dc.subjectArt history
dc.subjectAesthetics
dc.titleFrom Irish Philosophy to Irish Theatre: The Blind (Wo)Man Made to See
dc.typearticle

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