SHALL WE DANCE? MUSIC AS A PORT OF ENTRANCE TO MATERNAL–INFANT INTERSUBJECTIVITY IN A CONTEXT OF POSTNATAL DEPRESSION
| dc.contributor.author | Martine Van Puyvelde | |
| dc.contributor.author | Helena Rodrigues | |
| dc.contributor.author | Gerrit Loots | |
| dc.contributor.author | Lotta De Coster | |
| dc.contributor.author | Kevin Du Ville | |
| dc.contributor.author | Liesbeth Matthijs | |
| dc.contributor.author | David C. Simcock | |
| dc.contributor.author | Nathalie Pattyn | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T13:56:44Z | |
| dc.date.available | 2026-03-22T13:56:44Z | |
| dc.date.issued | 2014 | |
| dc.description | Citaciones: 54 | |
| dc.description.abstract | The present study introduces the concept of a mother-infant group therapy that makes use of music, singing, and moving to establish maternal-infant intersubjectivity. It was conducted in a residential mother-baby unit for mothers with postnatal depression and their infants over a 5-week period. Maternal-infant intersubjectivity of four dyads in relation to the group dynamics were microanalyzed for Sessions 1 and 5. We made within-session (i.e., beginning-middle-end) and between-session (Session 1 vs. Session 5) comparisons for the number of intersubjectivity moments (ISMs), total time of intersubjectivity (IST), and the mean duration of ISMs on a dyadic (i.e., own mother/infant involved) and a nondyadic level (i.e., own mother/infant not involved). In addition, three ISM levels (degree of group contribution) were distinguished. The results indicated a significant increase of ISMs/IST from Session 1 to Session 5. Within-session analyses showed that ISMs/IST significantly decreased through Session 1 and remained stable throughout Session 5. Intersubjectivity occurred mainly on ISM Level 1 during Session 1 and on ISM Level 3 during Session 5, suggesting increased dyadic autonomy and self-efficacy. The results are discussed in relation to the musical characteristics of mother-infant dyads, music improvisation techniques, group processes, and intersubjective development. | |
| dc.identifier.doi | 10.1002/imhj.21431 | |
| dc.identifier.uri | https://doi.org/10.1002/imhj.21431 | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/43640 | |
| dc.language.iso | en | |
| dc.publisher | Wiley | |
| dc.relation.ispartof | Infant Mental Health Journal | |
| dc.source | Vrije Universiteit Brussel | |
| dc.subject | Intersubjectivity | |
| dc.subject | Dance | |
| dc.subject | Context (archaeology) | |
| dc.subject | Psychology | |
| dc.subject | Depression (economics) | |
| dc.subject | Port (circuit theory) | |
| dc.subject | Developmental psychology | |
| dc.subject | Communication | |
| dc.title | SHALL WE DANCE? MUSIC AS A PORT OF ENTRANCE TO MATERNAL–INFANT INTERSUBJECTIVITY IN A CONTEXT OF POSTNATAL DEPRESSION | |
| dc.type | article |