SHALL WE DANCE? MUSIC AS A PORT OF ENTRANCE TO MATERNAL–INFANT INTERSUBJECTIVITY IN A CONTEXT OF POSTNATAL DEPRESSION

dc.contributor.authorMartine Van Puyvelde
dc.contributor.authorHelena Rodrigues
dc.contributor.authorGerrit Loots
dc.contributor.authorLotta De Coster
dc.contributor.authorKevin Du Ville
dc.contributor.authorLiesbeth Matthijs
dc.contributor.authorDavid C. Simcock
dc.contributor.authorNathalie Pattyn
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T13:56:44Z
dc.date.available2026-03-22T13:56:44Z
dc.date.issued2014
dc.descriptionCitaciones: 54
dc.description.abstractThe present study introduces the concept of a mother-infant group therapy that makes use of music, singing, and moving to establish maternal-infant intersubjectivity. It was conducted in a residential mother-baby unit for mothers with postnatal depression and their infants over a 5-week period. Maternal-infant intersubjectivity of four dyads in relation to the group dynamics were microanalyzed for Sessions 1 and 5. We made within-session (i.e., beginning-middle-end) and between-session (Session 1 vs. Session 5) comparisons for the number of intersubjectivity moments (ISMs), total time of intersubjectivity (IST), and the mean duration of ISMs on a dyadic (i.e., own mother/infant involved) and a nondyadic level (i.e., own mother/infant not involved). In addition, three ISM levels (degree of group contribution) were distinguished. The results indicated a significant increase of ISMs/IST from Session 1 to Session 5. Within-session analyses showed that ISMs/IST significantly decreased through Session 1 and remained stable throughout Session 5. Intersubjectivity occurred mainly on ISM Level 1 during Session 1 and on ISM Level 3 during Session 5, suggesting increased dyadic autonomy and self-efficacy. The results are discussed in relation to the musical characteristics of mother-infant dyads, music improvisation techniques, group processes, and intersubjective development.
dc.identifier.doi10.1002/imhj.21431
dc.identifier.urihttps://doi.org/10.1002/imhj.21431
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/43640
dc.language.isoen
dc.publisherWiley
dc.relation.ispartofInfant Mental Health Journal
dc.sourceVrije Universiteit Brussel
dc.subjectIntersubjectivity
dc.subjectDance
dc.subjectContext (archaeology)
dc.subjectPsychology
dc.subjectDepression (economics)
dc.subjectPort (circuit theory)
dc.subjectDevelopmental psychology
dc.subjectCommunication
dc.titleSHALL WE DANCE? MUSIC AS A PORT OF ENTRANCE TO MATERNAL–INFANT INTERSUBJECTIVITY IN A CONTEXT OF POSTNATAL DEPRESSION
dc.typearticle

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