EL CINE DOCUMENTAL EN LA PUESTA EN VALOR DEL PATRIMONIO. UN ANÁLISIS DE CANCIÓN DE TOQUILLA
Abstract
Con el propósito de realizar una lectura crítica que permita determinar las posibilidades de impactar mediante el cine en la difusión de la técnica patrimonial del tejido del sombrero fino de paja toquilla, fue analizado el documental Canción de toquilla siguiendo una metodología de análisis con base en la relación voz-modo y en la respuesta a 11 de 20 aspectos propuestos por Tobar. Canción de toquilla es un texto capaz de movilizar, generar conciencia sobre la realidad de los tejedores del sombrero fino de paja toquilla, a la vez que remarca el espacio donde se mantiene la técnica de elaboración del producto, sin embargo, no permite observar la tradición prehispánica de la técnica artesanal, lo cual podría impedir que el audiovisual se constituya en un producto cultural útil en la promoción de la identidad.
In order to make a critical reading that allows to determine the opportunities to impact through the cinema in the diffusion of traditional art heritage woven of fine straw hat, it was analyzed the documentary "Canción de toquilla", following a methodology based on voice-mode relationship, and 11 out of 20 questions proposed by Tobar. "Cancion de toquilla" is a text capable of mobilizing, raising awareness about the reality of the weavers of the straw hat toquilla, while also remarking the space where the technique of product development is maintained, however, it does not allow observing the artisan tradition born of pre-Hispanic times, which could prevent the audiovisual from becoming a useful cultural product in the promotion of identity.
In order to make a critical reading that allows to determine the opportunities to impact through the cinema in the diffusion of traditional art heritage woven of fine straw hat, it was analyzed the documentary "Canción de toquilla", following a methodology based on voice-mode relationship, and 11 out of 20 questions proposed by Tobar. "Cancion de toquilla" is a text capable of mobilizing, raising awareness about the reality of the weavers of the straw hat toquilla, while also remarking the space where the technique of product development is maintained, however, it does not allow observing the artisan tradition born of pre-Hispanic times, which could prevent the audiovisual from becoming a useful cultural product in the promotion of identity.
Description
Vol. 23, No. 36