Una poética desde la complejidad narrativa escritural
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Rev. aportes de la comunicación
Abstract
Este artículo presenta un tramo de la investigación doctoral llamada La narrativa en la realidad imaginada y sus mediaciones complejas, en ella se contrastan y ponen en paralelo tres perspectivas de interpretación sobre la realidad, la teórica crítica, la creativa y la compleja, a partir de una metodología de escritura de creación, La Palabra-Imagen, la cual permite discernir el andamiaje interno de aspectos clave para el estudio teórico de la narración literaria, como base comprensiva para observar la realidad; y a partir de ello, recontextualizarla para formular un nuevo espacio comprensivo a partir de imágenes que narran una historia. Además, explica cómo acompañada por la articulación que el pensamiento complejo trae consigo, se produce la ampliación del enfoque inicial, lo cual faculta al individuo que transita por la realidad a través de La Palabra-Imagen para procurar una creativa forma estética y analítica sobre el entorno del cual expresa.
This article presents a part of the doctoral investigation called Narrative in the Imagined Reality and Its Complex Mediations, in which the following three perspectives for interpreting reality are placed alongside each other and contrasted: the critical theory, the creative and the complex perspectives. This analysis is carried out through the creation writing methodology, The Word Picture, which facilitates discerning the internal framework of key aspects for the theoretical study of literary narration as a means of observing reality and, through this observation, re-contextualizing reality so as to formulate a new space for comprehension based on images that narrate a story. Furthermore, the article explains how, accompanied by the articulation that comes with complex thought, the initial focus is widened through The Word Picture, which gives the individual that transits reality the faculty to express him/herself in a creative aesthetical and analytical way regarding his/her environment.
This article presents a part of the doctoral investigation called Narrative in the Imagined Reality and Its Complex Mediations, in which the following three perspectives for interpreting reality are placed alongside each other and contrasted: the critical theory, the creative and the complex perspectives. This analysis is carried out through the creation writing methodology, The Word Picture, which facilitates discerning the internal framework of key aspects for the theoretical study of literary narration as a means of observing reality and, through this observation, re-contextualizing reality so as to formulate a new space for comprehension based on images that narrate a story. Furthermore, the article explains how, accompanied by the articulation that comes with complex thought, the initial focus is widened through The Word Picture, which gives the individual that transits reality the faculty to express him/herself in a creative aesthetical and analytical way regarding his/her environment.
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No. 21