Tabernacle-altarpieces: Variety within Unity
| dc.contributor.author | Fernando Gutiérrez Baños | |
| dc.contributor.author | Justin Kroesen | |
| dc.contributor.author | Elisabeth Andersen | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T16:35:19Z | |
| dc.date.available | 2026-03-22T16:35:19Z | |
| dc.date.issued | 2020 | |
| dc.description | Citaciones: 1 | |
| dc.description.abstract | Altarpieces are among the most outstanding and celebrated achievements of medieval art. They were the fruits of the joint efforts, skills and ambitions of artists and patrons. Often combining different media, they reflected a great deal of the faith, ideals, hopes, anxieties and devotions of Christian communities. Altarpieces were erected in churches of all ranks, from cathedrals and monumental abbeys down to modest country churches. Over the ages, medieval altarpieces continuously grew larger and more magnificent. They became symbols of the identity and pride of communities and individuals, for whom they sometimes even became the object of emulation. | |
| dc.identifier.doi | 10.5565/rev/medievalia.518 | |
| dc.identifier.uri | https://doi.org/10.5565/rev/medievalia.518 | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/59128 | |
| dc.language.iso | en | |
| dc.publisher | Instituto Universitario de Estudios Medievales | |
| dc.relation.ispartof | Medievalia | |
| dc.source | Universidad de Valladolid | |
| dc.subject | Pride | |
| dc.subject | Art | |
| dc.subject | Object (grammar) | |
| dc.subject | Identity (music) | |
| dc.subject | Faith | |
| dc.subject | Variety (cybernetics) | |
| dc.subject | Altarpiece | |
| dc.subject | Visual arts | |
| dc.subject | Art history | |
| dc.title | Tabernacle-altarpieces: Variety within Unity | |
| dc.type | article |