Tabernacle-altarpieces: Variety within Unity

dc.contributor.authorFernando Gutiérrez Baños
dc.contributor.authorJustin Kroesen
dc.contributor.authorElisabeth Andersen
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T16:35:19Z
dc.date.available2026-03-22T16:35:19Z
dc.date.issued2020
dc.descriptionCitaciones: 1
dc.description.abstractAltarpieces are among the most outstanding and celebrated achievements of medieval art. They were the fruits of the joint efforts, skills and ambitions of artists and patrons. Often combining different media, they reflected a great deal of the faith, ideals, hopes, anxieties and devotions of Christian communities. Altarpieces were erected in churches of all ranks, from cathedrals and monumental abbeys down to modest country churches. Over the ages, medieval altarpieces continuously grew larger and more magnificent. They became symbols of the identity and pride of communities and individuals, for whom they sometimes even became the object of emulation.
dc.identifier.doi10.5565/rev/medievalia.518
dc.identifier.urihttps://doi.org/10.5565/rev/medievalia.518
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/59128
dc.language.isoen
dc.publisherInstituto Universitario de Estudios Medievales
dc.relation.ispartofMedievalia
dc.sourceUniversidad de Valladolid
dc.subjectPride
dc.subjectArt
dc.subjectObject (grammar)
dc.subjectIdentity (music)
dc.subjectFaith
dc.subjectVariety (cybernetics)
dc.subjectAltarpiece
dc.subjectVisual arts
dc.subjectArt history
dc.titleTabernacle-altarpieces: Variety within Unity
dc.typearticle

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