Une Tempête de Aimé Césaire El no Retorno como agente detonante de la transculturación

Abstract

CesaireEs works have a poetical intention that is based on the speech of Negritud. In this research we attempt to make an interpretive approach of the theatrical piece Une Tempete (1997) departing from the foundations of Negritud according to Cesaire, from the term transculturizacion by Fernando Ortiz and from GlissantEs views in the Antilles Speech. Highlighting the notion of no Return to the ancient land and the resignation to the revenge, it is demonstrated the variation of the classic journey motive and the transition from a nationalistic literature to the relational Poetics.