Content characterization of Latin American film productions on Netflix: a Bolivian perspective

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dc.contributor.authorJavier A. Rodríguez‐Camacho
dc.contributor.authorAndrés Laguna-Tapia
dc.contributor.authorJens Bürger
dc.contributor.authorVania Landívar-Freire
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T15:17:21Z
dc.date.available2026-03-22T15:17:21Z
dc.date.issued2021
dc.descriptionCitaciones: 3
dc.description.abstractWe study international film flows between Bolivia and Latin America to explore the lack of Bolivian content on Netflix and its limited presence in other SVOD platforms. We characterize Netflix originals, third-party content, and recent Bolivian films, and develop a thematic analysis of their synopsis and genre description, completed with the results of a survey on the Bolivian consumption of streaming content. We identify common patterns in Netflix content and show how it differs from the more nationally minded Bolivian cinematic tradition. Our results point to a homogenizing effect SVOD platforms like Netflix might have on film productions.
dc.identifier.doi10.32870/cys.v2021.8037
dc.identifier.urihttps://doi.org/10.32870/cys.v2021.8037
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/51494
dc.language.isoen
dc.publisherUniversity of Guadalajara
dc.relation.ispartofComunicación y Sociedad
dc.sourcePontificia Universidad Javeriana
dc.subjectPerspective (graphical)
dc.subjectLatin Americans
dc.subjectContent (measure theory)
dc.subjectPoint (geometry)
dc.subjectConsumption (sociology)
dc.subjectThematic map
dc.subjectAdvertising
dc.subjectGeography
dc.titleContent characterization of Latin American film productions on Netflix: a Bolivian perspective
dc.typearticle

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