Will They See Me Coming? Do They Know I'm Running? Los Lobos and the Performance of<i>Mestizaje</i>Identity through Journey
| dc.contributor.author | Richard D. Pineda | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T14:39:14Z | |
| dc.date.available | 2026-03-22T14:39:14Z | |
| dc.date.issued | 2009 | |
| dc.description | Citaciones: 12 | |
| dc.description.abstract | Los Lobos’ album The Town and The City represents a lyrical narrative and performance of journey. The album's strength and appeal is that it offers a poignant commentary on journey at time when the odyssey undertaken by immigrants to the United States are often demonized, misunderstood, or purposefully manipulated for political benefit. I argue in this essay that the Los Lobos album illustrates and complicates the performance of Chicana/o identity, mestizaje, and hybridity through the metaphor of journey. This metaphorical journey is represented as both a process and event that establishes a sense of connectivity for audiences. | |
| dc.identifier.doi | 10.1080/10462930902774874 | |
| dc.identifier.uri | https://doi.org/10.1080/10462930902774874 | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/47767 | |
| dc.language.iso | en | |
| dc.publisher | Taylor & Francis | |
| dc.relation.ispartof | Text and Performance Quarterly | |
| dc.source | Universidad Tecnológica Privada de Santa Cruz | |
| dc.subject | Identity (music) | |
| dc.subject | Narrative | |
| dc.subject | Performance art | |
| dc.subject | Metaphor | |
| dc.subject | Hybridity | |
| dc.subject | Politics | |
| dc.subject | Appeal | |
| dc.subject | Immigration | |
| dc.subject | Adventure | |
| dc.subject | Art | |
| dc.title | Will They See Me Coming? Do They Know I'm Running? Los Lobos and the Performance of<i>Mestizaje</i>Identity through Journey | |
| dc.type | article |