<i>Yuyarinchik ninchik</i>: un diálogo colectivo sobre arte indígena e indigenismos

dc.contributor.authorAngélica Alomoto
dc.contributor.authorMaría Elena Bedoya Hidalgo
dc.contributor.authorElvira Espejo
dc.contributor.authorJosé Luis Macas
dc.contributor.authorAlberto Muenala
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T18:41:03Z
dc.date.available2026-03-22T18:41:03Z
dc.date.issued2022
dc.description.abstractArtists Angélica Alomoto, Elvira Espejo and Alberto Muenala shared with María Elena Bedoya and José Luis Macas their artistic experiences and the complexities of their artistic practices in the field of art and in cultural institutions in Ecuador and Bolivia. This is only a fragment of a long collective conversation we had in the context of the pandemic of COVID 19. We would like to clarify that by saying yuyarinchik ninchik, which we could translate as ‘thinking and saying together,’ we exalt the process of collective dialogue that is often invisible: work meetings, readings, shared experiences and interests, etc.
dc.identifier.doi10.1080/17442222.2022.2065624
dc.identifier.urihttps://doi.org/10.1080/17442222.2022.2065624
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/71570
dc.language.isoes
dc.publisherRoutledge
dc.relation.ispartofLatin American and Caribbean Ethnic Studies
dc.sourceCentral University of Ecuador
dc.subjectConversation
dc.subjectContext (archaeology)
dc.subjectSociology
dc.subjectHumanities
dc.subjectArt
dc.subjectField (mathematics)
dc.title<i>Yuyarinchik ninchik</i>: un diálogo colectivo sobre arte indígena e indigenismos
dc.typearticle

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