El destino racializado en Dos Veranos de Elvira Orpheé
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Rev. aportes de la comunicación
Abstract
La novela Dos veranos (1956) de la escritora argentina Elvira Orpheé (1922 - 2018) está hecha con recursos estilísticos como: voz narrativa indirecto libre y tiempo narrativo presente, aplicadas sobre una historia hecha con un conjunto heterogéneo de personajes vinculados entre sí a través de roles familiares y sociales. Estos recursos permiten que en la novela pueda observarse lo que Raymond Williams llama "Estructuras de sentimientos"(2009) y estas, a su vez, permiten observar a Sixto, el protagonista, como una forma de "animación", concepto indicado por Sianne Ngai (2007) para denominar la forma en que las acciones de los personajes que pertenecen a una población considerada como minoría reflejan la manera en que fuerzas externas tienen control sobre ellos.
The novel Dos Veranos (1956) by the Argentine writer Elvira Orpheé (1922 - 2018) is made with stylistic resources such as: free indirect narrative voice and present narrative time, applied to a story made with a heterogeneous set of characters linked together through of family and social roles. These resources allow the novel to observe what Raymond Williams calls "Structures of feelings" (2009) and these, in turn, allow observing Sixto, the protagonist, as a form of "animation", concept indicated by Sianne Ngai (2007) to describe the way in which the actions of the characters belonging to a population considered as a minority reflect the way in which external forces have control over them.
The novel Dos Veranos (1956) by the Argentine writer Elvira Orpheé (1922 - 2018) is made with stylistic resources such as: free indirect narrative voice and present narrative time, applied to a story made with a heterogeneous set of characters linked together through of family and social roles. These resources allow the novel to observe what Raymond Williams calls "Structures of feelings" (2009) and these, in turn, allow observing Sixto, the protagonist, as a form of "animation", concept indicated by Sianne Ngai (2007) to describe the way in which the actions of the characters belonging to a population considered as a minority reflect the way in which external forces have control over them.
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No. 25