Aparición y desaparición del camino amoroso en la obra de Jaime Saenz: Análisis de un capítulo de Felipe Delgado
| dc.contributor.author | Camilo Gil Ostria | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T16:36:11Z | |
| dc.date.available | 2026-03-22T16:36:11Z | |
| dc.date.issued | 2021 | |
| dc.description | Citaciones: 1 | |
| dc.description.abstract | This essay proposes a close reading of chapter VIII of the second part of Felipe Delgado, a novel by Jaime Saenz. In this chapter, which narrates Felipe's birthday, the projection process by which the protagonist dominates his world is staged; at the same time, Ramona (and the intruder into whom she will transexualize) will neutralize that dominant gaze. Comparing the chapter with Magritte's series The Lovers and Barthes's A Lover’s Discourse: Fragments, the importance of the amorous path will be brought to the fore in this novel. | |
| dc.identifier.doi | 10.5195/bsj.2021.249 | |
| dc.identifier.uri | https://doi.org/10.5195/bsj.2021.249 | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/59213 | |
| dc.language.iso | en | |
| dc.publisher | University Library System, University of Pittsburgh | |
| dc.relation.ispartof | Bolivian Studies Journal/Revista de Estudios Bolivianos | |
| dc.source | Higher University of San Andrés | |
| dc.subject | Humanities | |
| dc.subject | Art | |
| dc.subject | Reading (process) | |
| dc.subject | Gaze | |
| dc.subject | Philosophy | |
| dc.title | Aparición y desaparición del camino amoroso en la obra de Jaime Saenz: Análisis de un capítulo de Felipe Delgado | |
| dc.type | article |