A propósito de la Orquesta Experimental de Instrumentos Nativos: crear, enseñar y escuchar es descolonizar
| dc.contributor.author | Ximena Soruco Sologuren | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T16:13:08Z | |
| dc.date.available | 2026-03-22T16:13:08Z | |
| dc.date.issued | 2013 | |
| dc.description | Citaciones: 1 | |
| dc.description.abstract | This essay analyzes the Native Instruments Experimental Orchestra (OEIN), conceived and conducted by Cergio Prudencio since 1979 (in La Paz, Bolivia) as a ... | |
| dc.identifier.uri | http://www.scielo.org.bo/pdf/rcc/v17n31/v17n31_a04.pdf | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/56937 | |
| dc.language.iso | es | |
| dc.source | Higher University of San Andrés | |
| dc.subject | Political science | |
| dc.title | A propósito de la Orquesta Experimental de Instrumentos Nativos: crear, enseñar y escuchar es descolonizar | |
| dc.type | article |