El ritual, la realidad y la representación escénica

dc.contributor.authorIgor Raphael Martínez Rebolledo
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T18:22:55Z
dc.date.available2026-03-22T18:22:55Z
dc.date.issued2020
dc.description.abstractThis article raises a reflection on the importance of ritual as a source of creation of scenic representation. The preeminent bond that exists between the ritual as a human manifestation of worship and spiritual elevation that opens the way for the participant to the commitment of an act of worship with oneself, the environment and superior entities and the scenic representation that gives the interpreter the possibility of opening spaces to the game towards theatrical dimensions where improvisation, the opening of the senses and the commitment of The corporeity in the scene open the door to spaces towards the expression of an authentic truth of being.
dc.identifier.urihttp://erevistas.saber.ula.ve/index.php/bordes/article/download/16070/21921927200
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/69778
dc.language.isoes
dc.relation.ispartofBordes: Revista de Estudios Culturales
dc.sourceUniversidad de Los Andes
dc.subjectWorship
dc.subjectRepresentation (politics)
dc.subjectImprovisation
dc.subjectExpression (computer science)
dc.subjectAesthetics
dc.subjectArt
dc.subjectReflection (computer programming)
dc.subjectSociology
dc.subjectHumanities
dc.titleEl ritual, la realidad y la representación escénica
dc.typearticle

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