El ritual, la realidad y la representación escénica
| dc.contributor.author | Igor Raphael Martínez Rebolledo | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T18:22:55Z | |
| dc.date.available | 2026-03-22T18:22:55Z | |
| dc.date.issued | 2020 | |
| dc.description.abstract | This article raises a reflection on the importance of ritual as a source of creation of scenic representation. The preeminent bond that exists between the ritual as a human manifestation of worship and spiritual elevation that opens the way for the participant to the commitment of an act of worship with oneself, the environment and superior entities and the scenic representation that gives the interpreter the possibility of opening spaces to the game towards theatrical dimensions where improvisation, the opening of the senses and the commitment of The corporeity in the scene open the door to spaces towards the expression of an authentic truth of being. | |
| dc.identifier.uri | http://erevistas.saber.ula.ve/index.php/bordes/article/download/16070/21921927200 | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/69778 | |
| dc.language.iso | es | |
| dc.relation.ispartof | Bordes: Revista de Estudios Culturales | |
| dc.source | Universidad de Los Andes | |
| dc.subject | Worship | |
| dc.subject | Representation (politics) | |
| dc.subject | Improvisation | |
| dc.subject | Expression (computer science) | |
| dc.subject | Aesthetics | |
| dc.subject | Art | |
| dc.subject | Reflection (computer programming) | |
| dc.subject | Sociology | |
| dc.subject | Humanities | |
| dc.title | El ritual, la realidad y la representación escénica | |
| dc.type | article |