Venus Hermética. Un Signo Escritural en la “Primavera” de Botticelli

Abstract

Many neoplatonic Italian paintings of the XV century are elaborated and based on hermetics codes.The hypothesis of this work is the use of a no-western graph-visual sign (the graphic sign of the sound ohm) like a hidden hieroglyphic in the painting.If this is certain or true it is added or annexes a new sense in the reading of the image.A visual and graphic sign recomposes all the meaning of the painting.