Venus Hermética. Un Signo Escritural en la “Primavera” de Botticelli
| dc.contributor.author | Rocco Mangieri | |
| dc.coverage.spatial | Bolivia | |
| dc.date.accessioned | 2026-03-22T19:52:58Z | |
| dc.date.available | 2026-03-22T19:52:58Z | |
| dc.date.issued | 2008 | |
| dc.description.abstract | Many neoplatonic Italian paintings of the XV century are elaborated and based on hermetics codes.The hypothesis of this work is the use of a no-western graph-visual sign (the graphic sign of the sound ohm) like a hidden hieroglyphic in the painting.If this is certain or true it is added or annexes a new sense in the reading of the image.A visual and graphic sign recomposes all the meaning of the painting. | |
| dc.identifier.uri | https://andeanlibrary.org/handle/123456789/78685 | |
| dc.language.iso | es | |
| dc.publisher | LA Referencia | |
| dc.relation.ispartof | LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas) | |
| dc.source | Universidad de Los Andes | |
| dc.subject | Art | |
| dc.subject | Humanities | |
| dc.title | Venus Hermética. Un Signo Escritural en la “Primavera” de Botticelli | |
| dc.type | article |