El amor romántico en las danzas y canciones de la fiesta del Gran Poder
Abstract
La Entrada del Señor del Gran Poder es una expresión popular del sincretismo andino y occidental. Históricamente evoluciona de ser una fiesta de barrio hacia una compleja organización festiva citadina. La apropiación de la ciudad se hace en niveles transgresores de lo establecido al amparo de la religiosidad. Desde las teorías del concepto de amor de Sternberg, y las actitudes del amor de Lee, se analizan las danzas y canciones para identificar la evolución del concepto de amor en la cultura paceña. Concluye en la presencia del amor romántico como construcción social reivindicativa de lo erótico y lo tierno.
The Entrada del Señor del Gran Poder is a popular expression of Andean and Western syncretism. Historically it evolves from being a neighborhood party to a complex city festive organization. The appropriation of the city is done at levels that violate what is established under the protection of religiosity. From the theories of the concept of love of Sternberg, and the attitudes of the love of Lee, the dances and songs are analyzed to identify the evolution of the concept of love in the La Paz culture. It concludes in the presence of romantic love as a social construct for the erotism and tenderness.
The Entrada del Señor del Gran Poder is a popular expression of Andean and Western syncretism. Historically it evolves from being a neighborhood party to a complex city festive organization. The appropriation of the city is done at levels that violate what is established under the protection of religiosity. From the theories of the concept of love of Sternberg, and the attitudes of the love of Lee, the dances and songs are analyzed to identify the evolution of the concept of love in the La Paz culture. It concludes in the presence of romantic love as a social construct for the erotism and tenderness.
Description
Vol. 23, No. 43