Museo, entorno y estética relacional

Abstract

“Museum, its surroundings, and relational aesthetics” abords in the first place the Declaration of Amsterdam (1975), given its sociable character of the patrimonial factor, and in second place establish relationships between the more relevant principles of said declaration and the Venezuelan patrimony situation. As a third point, it abords concepts present on “Relational aesthetic” by Nicolas Burriaud, as well as elements of Walter Benjamin’s vision on architecture and on porosity as a mediation tool. Following the points of the Declaration of Amsterdam, it is proposed an ampliation on the museum’s functions, to work together with patrimony, and set them both as fields of communication and dialogue, as well as spaces of mutual acknowledgement and interactions that necessarily overcome the antagonistic binomial of the interior vs exterior.