Roger Chartier y las nociones de tiempo y representación. De una historia en minúsculas.

dc.contributor.authorLuz Gisela Pargas L
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T17:53:20Z
dc.date.available2026-03-22T17:53:20Z
dc.date.issued2018
dc.description.abstractThe article gathers a few of the reflections that arise from the seminar of the socio-symbolic area “Identity, mentalities, imaginary and representations” shared with the students of the Social and cultural studies of the Andes Venezuela master’s degree. It constitutes a close up to the thoughts of Roger Chartier, starting from two of his works, in which the notions of representation and a fundamental variable of history and time is explored. We consider that the notion of representation arises as nostalgia for the notion of truth in its original contexts; Anglo-Saxon and European and, in consequence, because of the disciplinary epistemological turn of history and the influence that it receives in its modalities and re-significations about time and its representations on other contexts as ours in Latin America.
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/66846
dc.language.isoes
dc.relation.ispartofProcesos históricos: revista de historia, arte y ciencias sociales
dc.sourceUniversidad de Los Andes
dc.subjectRepresentation (politics)
dc.subjectThe Imaginary
dc.subjectIdentity (music)
dc.subjectHumanities
dc.subjectSociology
dc.subjectDiscipline
dc.subjectPhilosophy
dc.titleRoger Chartier y las nociones de tiempo y representación. De una historia en minúsculas.
dc.typearticle

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