El juego de los actores Reflexión acerca de la importancia del juego escénico en el proceso del intérprete del ejercicio escénico: SEDICIÓN

dc.contributor.authorIgor Lopes Martínez
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T18:13:31Z
dc.date.available2026-03-22T18:13:31Z
dc.date.issued2020
dc.description.abstractThe present article raises the creative experience and reflection of the pedagogic process and of investigation developed in the so called scenic exercise: “SEDITION”, whose staging was realized in the academic year 2017, in the class of Performance III,  in the School of Scenic Arts, faculty of Art in the University of The Andes, Merida, Venezuela. A scenic experience of phenomenological investigation - hermeneutics applied to the educational field, faced to the determination of the sense of the game as form of improvisation for the creation of the  personage and the staging and its pedagogic relevancy.
dc.identifier.urihttp://erevistas.saber.ula.ve/index.php/laAdearte/article/download/15887/21921927008
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/68849
dc.language.isoes
dc.sourceUniversidad de Los Andes
dc.subjectHumanities
dc.subjectImprovisation
dc.subjectArt
dc.subjectSociology
dc.titleEl juego de los actores Reflexión acerca de la importancia del juego escénico en el proceso del intérprete del ejercicio escénico: SEDICIÓN
dc.typearticle

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