PAINTING AND NARRATIVES: EXEMPLARY LIFES AND THE COLONIAL SUBJECTS

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dc.contributor.authorJaime Humberto Borja Gómez
dc.coverage.spatialBolivia
dc.date.accessioned2026-03-22T20:05:22Z
dc.date.available2026-03-22T20:05:22Z
dc.date.issued2010
dc.description.abstractABSTRACT Saints and the idea of holiness are a historical construction. As idealized subjects, each epoch and culture determine what are the values and virtues that these must contain so they will be erected as behavioral role models, and in this process the sacred becomes a subject creator. This article explores the ideal of holiness that was developed in the New Kingdom of Nueva Granada from the colonial painting and its relationship with the literary narratives of exemplary subjects, to observe how a speech was generated that it would contribute to the formation of the colonial subject. Key words: barroc, colonial painting, hagiography, subject, holiness.
dc.identifier.urihttps://andeanlibrary.org/handle/123456789/79919
dc.language.isoes
dc.relation.ispartofUniversidad Industrial de Santander
dc.sourceUniversidad de Los Andes
dc.subjectColonialism
dc.subjectPainting
dc.subjectSubject (documents)
dc.subjectNarrative
dc.subjectArt
dc.subjectArt history
dc.subjectIdeal (ethics)
dc.subjectHistory
dc.subjectColonial period
dc.subjectKey (lock)
dc.titlePAINTING AND NARRATIVES: EXEMPLARY LIFES AND THE COLONIAL SUBJECTS
dc.typearticle

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