Imaginación, desmesura y realismo crítico en la obra de Gabriel García Márquez
Abstract
El autor rastrea en la obra narrativa de Gabriel García Márquez el desarrollo y evolución de algunas de las marcas más características de su estilo (imaginación desbordante y desmesura como respuesta al realismo narrativo hispanoamericano) que se desplegarían tanto antes como después de Cien años de soledad, en varios cuentos célebres. Sostiene además que, una vez que García Márquez alcanza la cima de esta propuesta en la mencionada novela y en algunos relatos posteriores, tiende posteriormente a modificar su propuesta artística en novelas como El general en su laberinto y Crónica de una muerte anunciada.
The author traces the narrative work of Gabriel García Márquez on the development and evolution of some of the most characteristic brands of his style (overflowing imagination and disproportion as a response to Spanish-American narrative realism) that were deployed, both before and after Cien años de soledad, in several famous stories. He further argues that once García Márquez reaches the top of this proposal in the aforementioned book and in some later stories, the writer tends to modify his artistic proposal in novels such as El general en su laberinto and Crónica de una muerte anunciada.
The author traces the narrative work of Gabriel García Márquez on the development and evolution of some of the most characteristic brands of his style (overflowing imagination and disproportion as a response to Spanish-American narrative realism) that were deployed, both before and after Cien años de soledad, in several famous stories. He further argues that once García Márquez reaches the top of this proposal in the aforementioned book and in some later stories, the writer tends to modify his artistic proposal in novels such as El general en su laberinto and Crónica de una muerte anunciada.
Description
Vol. 21, No. 39