Palabra orquestada: el concepto de αέδο en Así habló Zaratustra de Friedrich Nietzsche

Abstract

One of the approaches by which the philosophy of Friedrich Nietzsche can be interpreted is the philosophy of music. The following text investigates two fundamental places in Thus spoke Zarathustra 1890 as they are: The song of the night and the song of the dance, this interpretation is thought from the concept of the aedo taken from the classic Greek culture. This term, it is understood, as the rhapsody and the singer who interprets the culture. In this sense, the proposal below is to understand the relevance of music as an instrument to explain the thought of this German philosopher.